Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Julius Kronberg 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
80585 Cupid with a Bow Julius Kronberg Cupid with a Bow Date 1885(1885) Medium Oil on canvas Dimensions 172 x 111 cm (67.7 x 43.7 in) cjr
84792 Cupid with a Bow Julius Kronberg Cupid with a Bow 1885(1885) Medium Oil on canvas Dimensions 172 x 111 cm (67.7 x 43.7 in) cyf
85946 David and Saul Julius Kronberg David and Saul Date 1885(1885) Medium Oil on canvas Dimensions 298 x 220 cm (117.3 x 86.6 in) cjr
90134 David and Saul Julius Kronberg David and Saul 1885(1885) Medium oil on canvas Dimensions 298 x 220 cm (117.3 x 86.6 in) cyf
49502 Jaktnymf and veneer Julius Kronberg Jaktnymf and veneer mk198 1875 Nationalmuseum,Stockholm
64749 jaktnymf och fauner Julius Kronberg jaktnymf och fauner 1875. nationalmuseum se
80928 Nymph and Fauns Julius Kronberg Nymph and Fauns Date 1875(1875) Medium Oil on canvas Dimensions 269 x 130 cm (105.9 x 51.2 in) cjr
85049 Nymph and Fauns Julius Kronberg Nymph and Fauns 1875(1875) Medium Oil on canvas Dimensions 269 x 130 cm (105.9 x 51.2 in) cyf

Julius Kronberg
1850-1921,Swedish painter and illustrator. He was educated at the Konstakademi in Stockholm, where his teachers were J. C. Boklund (1817-80), August Malmstr?m and Johan Fredrik H?ckert. In 1873 he travelled on a scholarship to D?sseldorf, and in the following year he went to Munich. There he was strongly influenced by the Old Masters (especially Rubens), as well as Hans Makart robustly theatrical style. Together they shaped Kronberg early works, for example Hunting Nymph and Fauns (1875; Stockholm, Nmus.), which caused a sensation when it was exhibited in Stockholm in 1876 and established his reputation. Kronberg left Munich in 1877 and settled in Rome, where, between trips to Egypt and Tunisia, he stayed until 1889, when he returned to Stockholm. During his years in Rome his style became increasingly austere. His exuberant Munich manner was replaced by a colder illusionism, which emphasized the historical details of subjects taken from the Bible and Shakespeare. Typical is David and Saul (1885; Stockholm, Nmus.), which reflected his study of Lawrence Alma-Tadema.
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